Friday, April 4, 2014

Neville Longbottom—He’s Worth Twelve Malfoys

**Due to recent misinterpretations of some one post from this blog, a disclaimer is now apparently necessary.  If this is your first visit to The Scratched Camera, please read the introductory post and discover, for yourself, that every typed word that follows is unabashedly my opinion and mine alone.  In said introductory post, which, shockingly, I did not simply type up for my own good health, I state that we all read events and characters with our own baggage in mind; no one observes with a perfectly clear lens—hence the name The Scratched Camera.  Therefore, it is completely your will to disagree with any material that follows, just as it is my will to agree and advocate for what is mine.**  ~End, irritating obligatory disclaimer~

Neville Longbottom—He’s Worth Twelve Malfoys

            IGN described Neville as the “quintessential dimwit-turned-hero.”  While this description is undeniably accurate, I can’t appreciate the way it is worded—as if to imply Neville’s journey is as common as an everyday Zero to Hero storyline.  The transformation of Neville Longbottom, to me, holds far more weight than the simplicity of this statement allows for. 
           
Longbottom started as nothing more than a fool who was often harnessed for some comedic merit.  His list of failures is nearly as long as Granger’s list of accomplishments; therefore, I’ll issue the same courtesy I handed the previously mentioned brainiac.  Two or three examples should suffice—after all, there’s no reason to beat this already dead horse.  In Prisoner of Azkaban, he was foolish enough to write down the passwords for the Gryffindor Common Room, a mishap that provided the unforeseeably harmless Sirius Black an all access pass to the child he was supposedly attempting to murder.  In Order of the Phoenix, his own clumsiness results in the spilling of Stinksap all over his classmates.  He even managed to transport his own ears onto a cactus in Transfiguration in the fourth novel of the series.  Although, it should be noted at this juncture that it was revealed in OoP that the wand Neville held throughout the first four novels was recycled from his father and was, therefore, never truly allegiant to him.  The wand does, after all, choose the wizard. 
           
The various failures put on display, particularly in the course of the first four novels of the series, serve to allow Neville to represent the insecurities we all suffer from.  Not only are his own short fallings enough of a reminder, his family and friends are ever eager to depict him as nothing more than a disappointment as well. 
           
This often results in bullying and belittling.  His family members bullied him in his formative years, as they strove to prompt any form of magic to erupt from the boy, whom they suspected might actually be a Muggle in disguise.  His arrival at Hogwarts did not put an end to this torment.  His grandmother still actively strode to inform him that he falls short of those who came before him, as she pressures him towards “upholding the family honor,” a phrase the reader wouldn’t truly understand for several hundred more pages. 

The staff and his acquaintances at Hogwarts provided little to no solace on the issue either, as Snape and Malfoy eagerly filled the shoes vacated by his family members in the role of torturer.  Malfoy goes so far as to bluntly state that Longbottom is far too cowardly to be in Gryffindor and, therefore, surmises that the Sorting Hat must’ve made some form of a clerical error when sorting him. 

            This torture isn’t always necessarily external either.  Frequently, Longbottom seeks to put himself in his own place, as he reminds others of just how pitiful he thinks he truly is.  In Chamber of Secrets, he all but declares himself as a Squib.  Matters have not improved by the beginning of The Order of the Phoenix, as he brushes off his introduction to Luna Lovegoodyou know, the woman who should’ve ended up as his wife—with a declaration to his unimportance:  “I’m nobody,” he tells her, causing the heart of nearly every reader to clench in the process. 

            Despite the constant cycle of belittling and resounding sense of inadequacy, Neville not only frequently finds the motivation to fight, but is often willing to stand for a cause that frightens most, if not all, others.  He is one of a handful of students who respond to the call of the D.A. coin in Order of the Phoenix and Half-Blood Prince.  He alone stands brashly in rebellion against Snape and the Carrows in Deathly Hallows, a position he feels obligated to rise to with the absence of previous fearless leader Harry Potter.  

            Through these insurmountable odds and solidarity, Longbottom often finds a shocking amount of bravery to batten down his hatches.  Despite facing off against three of the most popular and successful students—well, maybe except Ron—the school has to offer, Neville stands strong, as he insists the Golden Trio stay in for the night in Sorcerer’s Stone.  By Order of the Phoenix, this insignificant scene becomes far more important than the reader could’ve possibly ever expected it to, as a deeper sense of justice and bravery develops over the course of the novel for the character.  He stands against Seamus to declare his allegiance to Harry and Dumbledore on the return of Voldemort.  By the end of the novel, he’s challenging Harry Potter himself, as he demands to be allowed to put their lessons from Dumbledore’s Army to use and serve as his backup in the Battle at the Department of Mysteries.  Longbottom’s accusations, which entail calling the protagonist out on his insistence to go alone and accusing the D.A. as being nothing more than a game, quickly serve to reverse Potter’s premeditated plan. 

            As the series progresses, a source for this sudden reservoir of courage slowly emerges.  In Goblet of Fire, the audience learns that Neville is familiar with the Cruciatus curse as we experiences the affect a demonstration of the curse can issue to the character.  When he hears the sound provided by the opening of the Dragon’s Egg, Longbottom’s first inclination is to assume it is the horrible sound of someone being tortured by the same curse.  No hesitation is dealt from Longbottom on the matter; the conclusion is reached automatically. 

            By the end of the novel, Dumbledore finally puts the puzzle pieces together for the audience, as he reveals to Harry the terrible fate Frank and Alice Longbottom suffered through at the hands of Bellatrix Lestrange.  When we learn that his parents are still alive, yet suffering a mental hindrance along a similar line to Muggle Alzheimer’s disease, Harry, and the audience, grows to understand the character on a scale that was unprecedented previously.  The horrible suffering his parents were subjected to often serves to fuel a fire in Neville.

            Throughout Order of the Phoenix, the flames only grow in intensity.  When Malfoy jokes about a wing at St. Mungo’s solely fit for those who have weakened minds from exposure to certain violent magic, Neville charges at the boy instantaneously.  Gone are the days of stuttering Longbottom, who barely manages to confront his own friends; he’s ready to defend his family and himself to the cruelest bully in all of Hogwarts. 

            As the novel continues, the audience is only shown more dedication to truly upholding his family’s honor.  The combination of Bellatrix Lestrange’s escape from prison with the opportunity for intensive lessons from Harry through the D.A. finally allows for Neville to become truly successful with magic, even with the continued use of his father’s recycled wand.  The knowledge that the woman who tortured his parents is no longer paying for her crimes fuels Longbottom’s internal motivation in a way no previous force has been able to.  He wants to know he has the ability to return her favor, should the opportunity arise for him to do so. 

            By the final novel, the suffering of his parents has driven Neville to the point where he is nearly unrecognizable—in a good way, of course; and, in the case of the films, in an extremely good way.  He suffers his own first dose of the Cruciatus Curse from the Carrows, as punishment for aiding other students they were torturing.  As a result, he is forced to flee to the Room of Requirement to escape prison or death.  In the Battle of Hogwarts, he alone stands up to Voldement, despite the fact that “the Chosen One,” is supposedly dead and the war effort should, therefore, be truly diminished.  His courage in the face of adversity would’ve undeniably rendered his parents proud of their son. 

            The influence of his Frank and Alice may not always be directly referenced, but it holds an undeniable power in creating some of Neville’s bravest moments, allowing the character to very easily prove Malfoy wrong and earn his worth as a proud Gryffindor.  In Order of the Phoenix, he and Harry are truly the only two left standing at the close of the Battle at the Department of Mysteries.  He reforms the D.A. in the face of the cruel Carrows, in the process holding true to Potter’s indoctrination of rebellion.  On his final walk, it is Neville that Harry trusts enough to prompt his brief pause to issue one final order—steal the sword, kill the snake.  Potter knew, even if he couldn’t experience the end of this battle, he could count on Longbottom to see it through to the bitter end.  Harry’s faith is not misguided—Neville comes through with brilliant dependency.  

            Many questions have arose over the course of the years since the reveal in Order of Phoenix that the prophecy could’ve potentially been about Neville, had Voldemort chosen to pursue him instead of the Potters.  Most frequently, it is asked just how dimwitted Longbottom would fair if forced to suffer the same trials as Harry.  Personally, from the very first stand against his friends to the very last clean swipe of the Sword of Gryffindor, I think the wizarding world would’ve faired just fine, as long as they had Neville Longbottom as their champion. 

From Gary King to Nicholas Angel:  Is Neville a good role model?  Neville not only rose above his humble origins as the silly comedic relief, he turned them on their head and shocked the entire audience with his ability to conquer any oppressive force presented to him.  He has not only suffered—the loss of his parents, bullying from family, classmates and teachers—but has driven motivation from that to become one of the most skilled wizards in the series; a wizard capable of learning the Stunning Spell second only to Hermione Granger, the know-it-all he used to beg for help regularly.  His intelligence eventually carries him far enough to present him with an opportunity to share his definitive knowledge on Herbology with others, as he is invited to teach the subject at Hogwarts.  I love the Rowling is saying education is a valued profession that is worthy of even the likes of the heroic Neville Longbottom.  However, it is his actions in the final novel that truly cement the character as legendary, as the audience witnesses even further examples of Longbottom’s definitive role model potential.  Even with facing the death of one of his dearest friends—the one person who was supposedly able to defeat Voldemort and win the war—Neville refuses to submit.  He makes yet another stand and, as is now the norm, follows through swiftly.  Finally, his insistence that the no underdog suffer at the hands of the Carrows serves a beyond exemplary example that every single person is important.  This belief in the value of the individual is rare amongst males in young adult literature, including Neville’s very own protagonist.
Role Model Rating:  10/10

From Peter Parker to Spider-Man:  Is Neville Relatable?  Neville truly did succeed in climbing up the ladder in terms of magic-based achievements.  By the end of the fifth novel, he manages to master complicated spells with a wand that hadn’t even chosen him.  Despite this, he is never chosen first; not by professors, his family, or Voldemort—that last is obviously a fortunate thing.  This perception that Neville is always second best or in some other way inadequate often subscribed to by others allows the general public to relate to Neville far more so than Harry—who is constantly popular, constantly skilled and constantly chased after, none of which is generally very relatable.  Finally, the suffering Neville experiences at his parents’ loss of their mental faculties is particularly relatable in a Muggle world infected with Alzheimers.  Even Harry acknowledges that, while he receives quite a bit of sympathy for the death of his parents, it is Neville who truly deserves it, for he is forced to contend with two surviving parents who can’t even recognize their own son.  When the audience observes Neville on a trip to St. Mungo’s where he graciously thanks his mother for handing him something as silly as an empty gum wrapper, he doesn’t cry or shout.  He merely thanks her, eternally grateful that she could briefly manage acknowledging his presence.  This feeling is far more common than it should be and, as a result, Neville will always remain in the hearts of the readers.

Relatability Rating:  9/10

Tuesday, April 1, 2014

Captain Malcolm Reynolds—Choosing the Losing Side Doesn’t Make it the Wrong One

**Due to recent misinterpretations of some one post from this blog, a disclaimer is now apparently necessary.  If this is your first visit to The Scratched Camera, please read the introductory post and discover, for yourself, that every typed word that follows is unabashedly my opinion and mine alone.  In said introductory post, which, shockingly, I did not simply type up for my own good health, I state that we all read events and characters with our own baggage in mind; no one observes with a perfectly clear lens—hence the name The Scratched Camera.  Therefore, it is completely your will to disagree with any material that follows, just as it is my will to agree and advocate for what is mine.**  ~End, irritating obligatory disclaimer~

Captain Malcolm Reynolds—Choosing the Losing Side Doesn’t Make it the Wrong One

            On the surface, the audience should not like Captain Reynolds.  He’s surly, bitter and angry for the majority of time.  When he isn’t too busy calling Inara a whore, he’s insisting that Simon and River bring him nothing but trouble and must vacate his ship immediately. 

            However, this is merely part of the role Reynolds plays.  Despite his violent disagreement at Saffron’s insistence that we all merely play our parts, on some level, he knows she’s right.  For further confirmation of this, the audience need only look to the crew he has surrounded himself in.  Each member aboard Serenity represents some facet of his personality long driven away by trials and tribulations.  Kaylee, with her naïveté and sweet innocence, Wash with his avid love of life and resulting sense of humor, Book’s spirituality and Inara’s blunt preference for honesty, which allows her to speak her mind—well, on most things, anyway.  Together, they represent a man the audience never truly got to meet—the Malcolm Reynolds in the days before the war.  As a result, he is highly loyal to all those who surround him; he protects his crew because he doesn’t want to see them damaged as he is.

            Mal informs Saffron that, despite the fact that she believes she has the edge due to her clever cunning, she’s wrong. He has his friends and crewmates—people he honestly believes he can count on until his very last breath.  He never once doubts that they will come through for him in the end; that, to him, is far more valuable than any form of intellect Saffron may have in her possession. 

            At first, River and Simon were not necessarily included in this grouping.  However, by “Safe,” Reynolds reveals the great lengths he is willing to go through for their safety—although, I could argue this is at least partially due to his dedication to his own moral code, but more on that later.  The audience sees this again in “Ariel,” as Mal nearly kills Jayne for turning the pair over to the feds.  This conflict is crucial in terms of his character development—where he previously and sometimes presently couldn’t tolerate the risk the two presented to his ship and his crew, he is now willing to murder a ranking crew member for their sake. 

            Then there is, of course, his intense loyalty to Inara.  While he is obviously allegiant to all members of his crew, his relationship with Inara has always involved a different form of devotion.  When she requests he come to the rescue of her friends—all of which are common whores, not even worthy of the elevated status of Companion—he heeds her request with very few questions asked.  Although, he screws it up royally as he manages to sleep with the head whore, Nandi.  This action, a cliché guy move, placed me as definitively disappointed in the character for quite some time.  In the film, he comes to aid, despite knowing that it is undeniably a trap.  Even after a conflict breaks out, they both work together to insure they return to Serenity in one piece.

            River, Simon and Inara are not the only people or material objects Mal blesses with his strong sense of allegiance. When he is faced with the choice between himself and his crew, Reynolds will undeniably sacrifice his own livelihood to insure their survival.  While the audience had suspected the character was capable of this selflessness, we see it first hand in “Out of Gas,” where the captain evacuates his crew and elects to stay behind and attempt to fix Serenity himself.

            This is not a one-way street; the crew is equally resolute in their dedication to their captain, as he is to them.  Before the end of “Out of Gas,” both shuttles have returned to aid Mal; as a result, they manage to save him at the very last moment.

            Even a petty Alliance Commander, who has known Mal for approximately fifteen minutes in “Bushwacked,” can very easily spot the faith his crew has in him.  He comments that the captain is not only capable of extreme loyalty, but that he also has a habit of inspiring that quality in others.  While the faith he puts in his friends and the fealty he receives in return is incredibly valuable, his ability to imbue that characteristic where it may not have previously resided is certainly most impressive.

            The conversation with the commander reveals a deeper and even more important aspect of Mal’s demeanor.  As he snidely responds to the posed questions, the audience learns very quickly that this is a stubborn character with very little respect for authority—a particularly ironic current characteristic, considering his position of power aboard Serenity.  Instead of idly keeping his temper in check, he still feels compelled, even years after the war has ended, to return the favor when members of the Alliance push.  In the interrogation, the commander implies that he isn’t a fan of Serenity’s name—the ship is, after all, named after the definitive final battle of the Unification War, where the Browncoats suffered their final crushing defeat.  The Alliance member embraces the opportunity to reassure Reynolds it is ridiculous to name a ship after a battle of a war he was on the wrong side of.  In response, with a thinly veiled tone of contempt, the captain snipes right back, as he claims losing doesn’t necessarily equate to wrong. 

            This is, obviously, a very risky move.  He is in their territory; it would be very simple for the commander to seize his ship and his crew.  However, whether fortunately or unfortunately, Mal has his own pressing moral code that demands to be followed.  As a result, he refuses to be bullied by the authority of the Alliance.  This leads to a proclivity towards underdogs—his choice in crew supports this, as almost every single member aboard the ship is at odds with some banner philosophy of the Alliance—and controversial causes. 

            He helps the whores in “Heart of Gold,” not only because Inara asked him to, but because they face an oppressive force.  His motivation behind constantly assisting River and Simon’s escape from the Alliance is partially driven by a general blanket of loyalty to any person who sets foot on his ship; however, the truly deeper desire is a blind refusal to submit anything or anyone to the Alliance.  He is, at his very core, still at war with the oppressive figures and, therefore, cannot justify giving them any pardon or assistance. 

            Perhaps the most interesting part of his own moral code is his opinion towards women and how they deserve to be treated.  On one hand, he is ever eager to insult Inara’s profession, calling her a whore at every opportunity that presents itself.  However, the moment someone becomes too possessive or disrespectful, he is the first to throw down the gauntlet.  In “Shindig,” Mal spends the bulk of the episode nitpicking Inara’s date—a client named Atherton who presents a pleasant surface appearance, even going so far as to offer to employ Inara as his regular companion, only to pan out to be a misogynist who seeks to possess her, whether she agrees or not.  As a result, Mal challenges Ath to a duel, one he perseveres to win for the sake of his somewhat antiquated penchant for protection. 

            This is also revealed in “Our Mrs. Reynolds,” where Mal delivers a poetic speech to his supposed wife—or, at least, poetic by his standards.  When Joan Saffron implies that men are permitted to kill unpleasing wives on her home planet, Reynolds is quick to be disgusted, as he barks at her that she should never stand for that:  “someone ever tries to kill you, you try to kill ‘em right back.”

            Perhaps typical captains of spaceships would’ve advised a woman to seek out the assistance of someone stronger—a man, perhaps?  It’s certainly what Caleb would’ve encouraged what he saw as worthless women to do.  However, Mal, conceived as a positive character in the wonder that is Joss Whedon’s mind, knows that women are more than capable of handing themselves.  He doesn’t know it yet, but he’s quite right, as Saffron serves to be one of the very few women who can outsmart this clever captain.  Once again, when the truth is revealed, and Saffron manages to overcome Reynolds, not once, but twice, he may be surprised—due to his own propensity towards prosperity—but he is never disgusted, merely vastly impressed.

From Gary King to Nicholas Angel:  Is Captain Mal a good role model?  Reynolds served for his own noble cause in the Unification War, where he fought for the underdogs—the Independents.  While their war effort may have lost, it is admirable to see a character willing to take a stand for a cause that is truly worth the dedication Mal offers.  Even after they’ve lost the war, he continues to hold his ground, as he continually defies the Alliance.  His allegiance is admirable.  There is also a deep respect for woman about the character that is exemplary.  Mal’s ability to see females as powerful and authoritative characters is something almost every man I’ve met could use a bit more of.  This respect, although valuable, has a tendency to cross into over-protection, which can aggravate women who don’t feel the need to have a bodyguard constantly looming over them. His character has some rough edges, brought on by the terrible trials and tribulations he suffered through in his service for the Unification War.  While he can be snarky and rude at times, generally the character is decently balanced, particularly considering the struggle he’s suffered.  In fact, this ruggedness has equipped him with a rough sense of humor that allows him to simultaneously worry over potential Alliance threats and laugh off the inherent danger present to their every day lives.  Much like Percy Jackson, Mal Reynolds manages to toe a line between realistically vulnerable yet casual acknowledgements that our fate isn’t always in our realm of control. 
Role Model Rating:  8/10

From Peter Parker to Spider-Man:  Is Captain Mal relatable?  Mal, despite being more intelligent than he actually gives himself credit for, is not above fault.  He misreads the Saffron situation, opening himself and his entire crew up for raid.  This instance, and several others similar to it, shows an inherent ability to not only acknowledge his own mistakes, but keep an ever present smile on his face while he does so.  Often this smile is nothing more than a facade, introducing another relatable factor to the character.  Despite his insistence that Saffron is wrong on the ‘we all play parts’ front, he, much like the bulk of the audience and fellow fictional characters alike—except Cordy.  I think we all can agree that’s one Whedon character that truly puts her entire self out there, exposed openly to the world—always puts on his brave face and utters a sarcastic comment to hide how things truly affect him.  In a world where appearance is everything, this is remarkably relatable, if not depressingly so.  Finally, while loyalty is truly important to the captain, his first priority is money.  This is very applicable to the audience, as we all seem to agree we could always use a few more funds.

Relatability Rating:  9/10